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This section gives self-sourcing popular culture examples without describing their significance in the context of the article. Please help improve this section by adding citations to reliable sources that describe the examples' significance, and by removing less pertinent examples. Unsourced or poorly sourced material may be challenged or removed. March Learn how and when to remove this template message. Retrieved 22 May New York: Harper Collins. BBC News. Retrieved 8 February The Columbia Encyclopedia 5th ed. Boston: Houghton Mifflin. Modern Library. April Archived from the original on 18 July Retrieved 4 July Cambridge University Press.
Does it matter that George Orwell pinched the plot? The New Yorker. Retrieved 2 September Retrieved 20 June Retrieved 1 January WIPO , Retrieved 13 July Retrieved 25 March LA Review of Books. Retrieved 20 October Barron's Educational Series. Retrieved 2 July In the end their awakening would come. And until that happened, though it might be a thousand years, they would stay alive against all the odds, like birds, passing on from body to body the vitality which the Party did not share and could not kill".
May Retrieved 16 June Social Theory and Practice. Liverpool F. New York: Plume, New York: Penguin Press. Review of "Left Book Club Anthology" review no. Paul Laity. University of California Press. Journey into the Whirlwind. Everyday Stalinism. New York: Oxford University Press. Retrieved 2 January Thank you, comrade Stalin! Soviet public culture from revolution to Cold War. New Jersey Princeton University Press. The Rise and Fall of the Soviet Union. Taylor and Francis. Archived from the original on 11 June Retrieved 19 July Memory, brain, and belief.
Cambridge: Harvard University Press. Moscow: Foreign Languages Press. Retrieved 14 December New York: HarperCollins. Bowker, p. Archived from the original on 5 January Retrieved 9 December Meyers , p. Orwell, Sonia; Angus, Ian eds. Boston: Nonpareil Books. The third was to develop a positive imperial policy, and aim at transforming the Empire into a federation of Socialist states, like a looser and freer version of the Union of Soviet Republics. Nigel Fountain, The Guardian , June 14, George Orwell. St Martins.
Robson Books. Retrieved 28 February Radio Times. Retrieved 20 May The Hill.
Retrieved 9 November Retrieved 30 June New York Times. Retrieved 26 January Retrieved 25 January USA Today. The Hollywood Reporter. Associated Press. The Orwell Moment. London: University Arkansas Press. Brave New World? Why I love a little dystopia". Archived from the original on 23 November Brave New World: Comparison".
Retrieved 6 December The New York Times. Retrieved 17 June These five dystopias better reflect Trump's US". The Guardian. Rebel Princess Reader. Aubrey, Crispin; Chilton, Paul, eds. London: Comedia Pub. Bowker, Gordon Inside George Orwell: A Biography. Palgrave Macmillan. Hillegas, Mark R. The Future As Nightmare: H. Wells and the Anti-Utopians. Southern Illinois University Press. New York: Harper Row. Meyers, Jeffery. Orwell: Wintry Conscience of a Generation. Nineteen Eighty-Four.
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A novel. Orwell, George Davison, Peter ed. London, United Kingdom: Secker and Warburg. Erich Fromm Foreword reissue ed. Signet Classics. Afterword by Erich Fromm Orwell's text has a "Selected Bibliography", pp.
The Plume edition is an authorised reprint of a hardcover edition published by Harcourt, Inc. The Plume edition is also published in a Signet edition. The copyright page says this, but the Signet ed. Copyright is explicitly extended to digital and any other means. Orwell, George. Shelden, Michael Orwell: The Authorised Biography.
The man was a stranger. She had never been photographed before. Until they met again 17 years later, she had not been photographed since. The photographer remembers the moment too. The light was soft. The refugee camp in Pakistan was a sea of tents. Inside the school tent he noticed her first. Sensing her shyness, he approached her last. She told him he could take her picture.
The portrait by Steve McCurry turned out to be one of those images that sears the heart, and in June it ran on the cover of this magazine. Her eyes are sea green. They are haunted and haunting, and in them you can read the tragedy of a land drained by war. Then as now, Sharbat Gula looks at the world with uncompromising, unforgettable eyes. People have told McCurry that her face alone inspired them to aid refugees.
They showed her picture around Nasir Bagh, the still standing refugee camp near Peshawar where the photograph had been made. A teacher from the school claimed to know her name. No, said a man who got wind of the search. He knew the girl in the picture. They had lived at the camp together as children. She had returned to Afghanistan years ago, he said, and now lived in the mountains near Tora Bora.
He would go get her. It took three days for her to arrive.
Her village is a six-hour drive and three-hour hike across a border that swallows lives. When McCurry saw her walk into the room, he thought to himself: This is her.
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Names have power, so let us speak of hers. Her name is Sharbat Gula, and she is Pashtun, that most warlike of Afghan tribes. It is said of the Pashtun that they are only at peace when they are at war, and her eyes—then and now—burn with ferocity. She is 28, perhaps 29, or even No one, not even she, knows for sure. Stories shift like sand in a place where no records exist. Time and hardship have erased her youth. Her skin looks like leather.
The geometry of her jaw has softened. The eyes still glare; that has not softened. Twenty-three years of war, 1. Now, consider this photograph of a young girl with sea green eyes. Her eyes challenge ours.
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Most of all, they disturb. We cannot turn away. She was a child when her country was caught in the jaws of the Soviet invasion. A carpet of destruction smothered countless villages like hers. She was perhaps six when Soviet bombing killed her parents. By day the sky bled terror. At night the dead were buried.